Helium 5G // The Future

PRODUCTION COMPANY: Near Future / AGENCY: None

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CREDITS

Executive Producers: Jason Jurgens, James Locke  / Creative Producer: Erin Stevens  /  Copywriter: Schuyler Pappass, Adam Patch  / Clients: Emily Murray, Timothy Hess

Director: Adam Patch  /  Producer: Ross Kelly  /  Head of Production: Adam Young  /  1st AD: Mo O’Neil  /  2nd AD: Howie Jones  /  DP:  August Thurmer  /  Steadicam Op: Daniel Zollinger  /  1st AC: Kingslea Bueltel  /  2nd AC: Jannis Schelenz  /  Media Manager: Brian Rivera  / Drone Op: Luke Fitch  /  Drone Pilot: Jeb Stewart  /  Gaffer: Andrew Brown  / BB Electric: Zac Chacon  /  Set Lighting Tech: Trevor Garcia  /  Key Grip: Dwight Dollins  /  BB Grip: Jay Todd  /  Dolly Grip: Matt Higgins  /  Production Designer: Sarah Loeppke  /  Set Dec: Patrick Duncan  /  Art Asst:  Elijah Kelly  /  Sound Mixer: Christopher Robleto  /  Boom Op: Aaron Madrid  /  Wardrobe Stylist: Samantha Anastasiou  /  Wardrobe Asst: Morgan Armstrong  /  Makeup Artist:  Svetlana Britt  /  Hair Stylist: Copper Perry  / Production Supervisor: Brent Morris  /  Production Coordinator: Jennifer Nail  /  Script Supervisor: Luke Sheldon  /  PAs:  Casey Gonzales, Olivia Montano, Emily Reed, Mariel Vega, Angela Touva, Luke Galves  /  Location Manager: Chris Solari  /  Location Asst Josh Choudhury  /  Craft Services: Paris Jones  /  MoHo Driver: Tom Cordova  /  Medic: John Emmons  /  Talent: Syra McCarthy, Keith Allen, Gregory Fields, Mary Fenton, Vince Newton, Alexis Berent, Alexandra Renzo

Post Producer: Nick Brown  /  Editor: Adam Patch, Maxwell Carver  /  Colorist: Sean Wells  /  Mix:  Tom Disher   /  VFX: Salih Abdul-Karim

I know it’s confusing, but my name is Adam Patch and I’m a director, not a doctor. You’re thinking of Patch Adams. I direct ads and films and have yet to perform so much as a minimally invasive surgery…

It was in Tucson, AZ that I took a video class at my High School and immediately knew my calling. That same year my hair started to gray. I like to think it was a coincidence.  After film school in SF, I paid the bills as a motion graphics artist and editor —  freelancing for some of the top agencies in the Bay Area. It was there that I got a taste of advertising and stepped out of the edit suite and into the director’s chair. My technical background helped me quickly build a portfolio of work that people have described as being witty, design-driven, and multifaceted. My mom describes it as “fun”.  Now, with more than 15 years of experience, I have a full-head of gray hair under my beanie and hundreds of commercials under my belt. 

If you need something directed, I would love to hear from you.  If you need a doctor, please hang up and dial 9-1-1.

SAY HELLO.

Representation.