LL Flooring // Now What?

PRODUCTION COMPANY: Stept Studios /  AGENCY: Barkley


Executive Producer: Alexis Celic  /  Managing Director: David Brickel  /  Agency Producer: Charlie Stillman  / Creative Director: Bryce Richardson  /  Agency Copywriter: Kyle Anthony  /  Agency Art Director: Deidre Lichty  /  SVP: Julie Barr  

Director: Adam Patch  /  Producer: Rob Plaxon,  Ben Narich  / Director of Photography: Rob Scarborough / Production Designer: Melanie Garros  / Production Manager: Aidan Dunstan  /  Production Coordinator: Luke Waterman  /  1st AD: Billy Shand  /   /  Steadicam Op: Russ D Jong  /  1st AC:  Pierre Branconnier  /  2nd AC: Kimberley Smith  /  Head Tech: Bernard Van Speyk  /  Gaffer: Ray McLeary  /  Best Boy: Ed Kopp  /  Electrics: Loris Santarossa, Todd Sands  / Key Grip: Lennon Shute  /  Best Grip: Innis Papagiannis  /  Grips:  Sean Sullivan, Andrew Bowie, Paul Naghten, Brett Bates /  Sound: Tim Booba Lue  /  Rear Projection Tech: Pierre-James Murphy  /  DIT: Dylan Pouliot  / Art Buyer: Lex Hollingsworth  / Art Assistant: Elsa Gebremichael  / Set Dressers: Jaden Curtis, Henri Faberge, Derek Kirk, Alex Gauthier-Baravya, Jessie Michildon, Raynor Semrick-Palma, Maddie Hope-Fraser, Bogdan Chifa  /  Wardrobe: Basia Wyszynski  / Wardrobe Assistant: Talia Godin  /  HMU: Shawna Lee  /  HMU Assist: Antonio Hines  /  Locations: John Dranski  /  PA: James Dolby, Lucas Findlay, Oscar Weinstein, Adrian Oeofino, Jack Langenhahn  /  Driver: Steve Sinclair  /  Talent: Lawrence Denkers, Paul Dawson, Daniel Demitri Ramnauth, Quinto Fortino, Madeline DeCorsco, Jay Rainville, Isaac Towell, Olenka Dabrowski, Ebenezer Mensah, Chrissy Sharma, Jason Mercier, Carly Tisdall, 

Lockt Editorial // Post EP: Rebecca Jameson  /  Post Producer: Brittney Hahn  /  Senior Online Producer: Nicole Johal  /  Editor: Adam Patch, Patrick O’leary   /  Colorist:  Bree Brackett @ Carbon  /  Carbon EP: Natalie Westerfield  

I know it’s confusing, but my name is Adam Patch and I’m a director, not a doctor. You’re thinking of Patch Adams. I direct ads and films and have yet to perform so much as a minimally invasive surgery…

It was in Tucson, AZ that I took a video class at my High School and immediately knew my calling. That same year my hair started to gray. I like to think it was a coincidence.  After film school in SF, I paid the bills as a motion graphics artist and editor —  freelancing for some of the top agencies in the Bay Area. It was there that I got a taste of advertising and stepped out of the edit suite and into the director’s chair. My technical background helped me quickly build a portfolio of work that people have described as being witty, design-driven, and multifaceted. My mom describes it as “fun”.  Now, with more than 15 years of experience, I have a full-head of gray hair under my beanie and hundreds of commercials under my belt. 

If you need something directed, I would love to hear from you.  If you need a doctor, please hang up and dial 9-1-1.