Robinhood // Shareholders

PRODUCTION COMPANY: Near Future / AGENCY: Interal

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CREDITS

Executive Producers: James Locke, Jason Jurgens  /  Creative Directors: James Locke, Jason Jurgens, Adam Patch  /  Copywritters: James Locke, Jason Jurgens, Adam Patch, Schuyler Pappas  

Director: Adam Patch  /  Producer: Michael MacDonald  /  Production Manager: Brook Holston  /  1st AD: Alex Gilbert  /  DP: Dustin Miller  /  1st AC:  Ethan Johnson  /  2nd AC: Charley Weston  /  Gaffer: Chris Galdes  /  BB Electric: Cyrus Amini  /  Electric: Dan Juenemann  /  Key Grip: Todd Stoneman  /  BB Grip: Toby Lawrence  /  Grip: Ernie Kunzie  /  Production Designer: Jona Tochet  /  Leadman: Dylan Koller  /  Set Dresser:  Natalia Polltorasky,  Josh Frager, Amira Hadiya Barnett, Miki  /  Art PA:  Justin Simonetti  /  Sound Mixer: Anton Herbert  /  Wardrobe Stylist: Joni Sternberg  /  Wardrobe Asst: Tori Secretario  /  HMU: Emily Simms  /  HMU Asst. Jessica Ochoa  /  Crafty: Chelsea Lopker  /  PAs:  Adam Young, Corey MacDonald, Scott Winn, Ashley Wentimiglia , David Arguello, Riley Miller, Vladimir Ponomarev  / Moho Driver: Phili Brumme  / Talent:  Syra McCarthy, Cynthia Drumbor, Justin Dupius, Philip Caires, Kyrstannie Day, Peter Townley, Katherine Miller, Josiah Polhemus, Karen Brelsford, Joanna Kay, Guinevere Ray, Ed Berkeley, Harry Yuan, Rebecca White, Joshua Cashen, Margaret Belton, Pancho Morris, Amanda Encelan, Brandon Brooks, Patricia Gonzalez, Dorian Lockett

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I know it’s confusing, but my name is Adam Patch and I’m a director, not a doctor. You’re thinking of Patch Adams. I direct ads and films and have yet to perform so much as a minimally invasive surgery…

It was in Tucson, AZ that I took a video class at my High School and immediately knew my calling. That same year my hair started to gray. I like to think it was a coincidence.  After film school in SF, I paid the bills as a motion graphics artist and editor —  freelancing for some of the top agencies in the Bay Area. It was there that I got a taste of advertising and stepped out of the edit suite and into the director’s chair. My technical background helped me quickly build a portfolio of work that people have described as being witty, design-driven, and multifaceted. My mom describes it as “fun”.  Now, with more than 15 years of experience, I have a full-head of gray hair under my beanie and hundreds of commercials under my belt. 

If you need something directed, I would love to hear from you.  If you need a doctor, please hang up and dial 9-1-1.

SAY HELLO.

Representation.