Wish // It's All on Wish



Executive Producer: Alex Yenni  /  Creative Director: Jordan DeBree  /  Wish Director of Creative: Martin Rossetti  /  Wish VP, Head of Comm: Glenn Lehrman  /  Wish Senior Video Producer: Truckee Lynch

Director: Adam Patch  /  Producer: Maya Owings  /  Production Manager: Ayesha Janmohamed  /  Producer Assistant: Steve Chrabaszcz  /  1st AD:  Paul Goldfeder  /  DP: Donavan Sell  /  1st AC: Jonathan Park  /  2nd AC: Sam Hoiland  / Production Designer: David Daugherty  / Prop Master: Aaron Young  /   Art Assts: Christopher Garrett, Paris Arteaga, Nazir Lyle  / Key Grip: Don Henderson  /  BB Grip: Mark Otewalt  /  Gaffer: Drew Nelson  /  BB Electric: Jason Miller  /  Wardrobe Stylist: Anya Zebroski  /  Wardrobe Asst: Annie Simmermon, Ayl Rogers  /  HMU: Yvette Rivas  /  Sound Mixer: Keenan Jensen  /  Location Manager: Felix Gehm, Chris Powell  /  PAs: Alejandro Morales,  D’Adonis Moquette, Taraneh Niakan, Roland Greedy, Ryan Allbaugh, Matt Thomas  /  Office PA: Noelle Bernhard  / Craft Services: Erin O’Connell  /  Studio Teacher: Shelly Booker  /  VTR: Andreas Terazi  /  Catering: Anna Delorfice  /  Talent:  Nihar Duvvuri, Matthew Um, Georgie Craig, Tianna Hazard, Leo Hazard, Livi Hazard, Keisha Riley, Azaryah Riley, Amynah Riley, Brian Castellanos 

Editor: Adam Patch  /  Post Producer: Kristen Jenkins  /  Colorist: Sean Wells  / Mix: Matt Tammariello  /  Music Composer: Composer: Harlan Hodges  /  VFX: Salih Abdul-Karim

I know it’s confusing, but my name is Adam Patch and I’m a director, not a doctor. You’re thinking of Patch Adams. I direct ads and films and have yet to perform so much as a minimally invasive surgery…

It was in Tucson, AZ that I took a video class at my High School and immediately knew my calling. That same year my hair started to gray. I like to think it was a coincidence.  After film school in SF, I paid the bills as a motion graphics artist and editor —  freelancing for some of the top agencies in the Bay Area. It was there that I got a taste of advertising and stepped out of the edit suite and into the director’s chair. My technical background helped me quickly build a portfolio of work that people have described as being witty, design-driven, and multifaceted. My mom describes it as “fun”.  Now, with more than 15 years of experience, I have a full-head of gray hair under my beanie and hundreds of commercials under my belt. 

If you need something directed, I would love to hear from you.  If you need a doctor, please hang up and dial 9-1-1.